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History of Midsummer's Eve (aka Summer Solstice)
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In my trend of giving history of holidays, MidSummer's Eve must be acknowledged -

(It is a long entry, but history can not always be briefly given…)

Thanks to History Channel yet again for the following historical synopsis of Midsommer Holiday -

MIDSUMMER EVE

(A)lso Saint John’s Eve, June 23, night before the festival of the nativity of John the Baptist. Throughout Europe it was often celebrated by bonfires; although the fires were blessed by priests, the celebration was generally conducted by the laity. Midsummer eve celebrations were a continuance of the Teutonic solar ceremonies and fertility rites associated with agriculture at the time of the summer solstice. The presence of supernatural beings, love magic, and merrymaking are some of the characteristics of this feast that inspired Shakespeare’s masterpiece, A Midsummer Night’s Dream, which in turn inspired the music of Felix Mendelssohn.

Thanks to Encyclopedia Britannica for this information -

Summer Soltice; celebration of Midsommer’s Eve

(E)ither of the two moments in the year when the Sun's apparent path is farthest north or south from the Earth's Equator. In the Northern Hemisphere the summer solstice occurs on June 21 or 22 and the winter solstice on December 21 or 22. The situation is exactly the opposite in the Southern Hemisphere, where the seasons are reversed. At the winter solstice the day is the year's shortest, and at the summer solstice it is the year's longest. The term solstice also is used in reference to either of the two points of greatest deviation of the ecliptic (the Sun's apparent annual path) from the celestial equator.

At the time of the summer solstice in the Northern Hemisphere, the North Pole is tilted 23.45° (23°27´) toward the Sun. Because the Sun's rays are shifted northward by the same amount, the vertical noon rays are directly overhead at the Tropic of Cancer (23°27´ N). Six months later, the south polar end of the Earth is inclined 23.45° toward the Sun. On this day of the summer solstice in the Southern Hemisphere, the Sun's vertical overhead rays progress to their southernmost position, the Tropic of Capricorn (23°27´ S).

Celebrations occur in many Northern Hemisphere countries in honor of the longest day of the year.

Thanks also to Belief Net for Mr. Nichols’ history -

A Midsummer’s Celebration: A history of St. John’s Eve, the celebration of the sun By Mike Nichols

The young maid stole through the cottage door, and blushed as she sought the Plant of pow'r;
"Thou silver glow-worm, O lend me thy light, I must gather the mystic St. John's wort tonight,
The wonderful herb, whose leaf will decide, if the coming year shall make me a bride."

In addition to the four great festivals of the Pagan Celtic year, there are four lesser holidays as well: the two solstices, and the two equinoxes. In folklore, these are referred to as the four "quarter-days" of the year, and modern Witches call them the four "Lesser Sabbats," or the four "Low Holidays." The summer solstice is one of them.

Technically, a solstice is an astronomical point and, due to the procession of the equinox, the date may vary by a few days depending on the year. The summer solstice occurs when the sun reaches the Tropic of Cancer, and we experience the longest day and the shortest night of the year. Astrologers know this as the date on which the sun enters the sign of Cancer.

However, since most European peasants were not accomplished at reading an ephemeris or did not live close enough to Salisbury Plain to trot over to Stonehenge and sight down its main avenue, they celebrated the event on a fixed calendar date, June 24th. The slight forward displacement of the traditional date is the result of multitudinous calendrical changes down through the ages. It is analogous to the winter solstice celebration, which is astronomically on or about December 21st, but is celebrated on the traditional date of December 25th, Yule, later adopted by the Christians.

Again, it must be remembered that the Celts reckoned their days from sundown to sundown, so the June 24th festivities actually begin on the previous sundown (our June 23rd). This was Shakespeare's Midsummer Night's Eve. Which brings up another point: our modern calendars are quite misguided in suggesting that "summer begins" on the solstice. According to the old folk calendar, summer begins on May Day and ends on Lammas (August 1st), with the summer solstice, midway between the two, marking midsummer. This makes more logical sense than suggesting that summer begins on the day when the sun's power begins to wane and the days grow shorter.

Although our Pagan ancestors probably preferred June 24th (and indeed most European folk festivals today use this date), the sensibility of modern Witches seems to prefer the actual solstice point, beginning the celebration on its eve, or the sunset immediately preceding the solstice point. Again, it gives modern Pagans a range of dates to choose from with, hopefully, a weekend embedded in it.

Just as the Pagan midwinter celebration of Yule was adopted by Christians as Christmas (December 25th), so too the Pagan midsummer celebration was adopted by them as the feast of John the Baptist (June 24th). Occurring 180 degrees apart on the wheel of the year, the midwinter celebration commemorates the birth of Jesus, while the midsummer celebration commemorates the birth of John, the prophet who was born six months before Jesus in order to announce his arrival.

Although modern Witches often refer to the holiday by the rather generic name of Midsummer's Eve, it is more probable that our Pagan ancestors of a few hundred years ago actually used the Christian name for the holiday, St. John's Eve. This is evident from the wealth of folklore that surrounds the summer solstice (i.e. that it is a night especially sacred to the faerie folk) but which is inevitably ascribed to "St. John's Eve," with no mention of the sun's position. It could also be argued that a Coven's claim to antiquity might be judged by what name it gives the holidays. (Incidentally, the name "Litha" for the holiday is a modern usage, possibly based on a Saxon word that means the opposite of Yule. Still, there is little historical justification for its use in this context.) But weren't our Pagan ancestors offended by the use of the name of a Christian saint for a pre-Christian holiday?

Well, to begin with, their theological sensibilities may not have been as finely honed as our own. But secondly, and more importantly, St. John himself was often seen as a rather Pagan figure. He was, after all, called "the Oak King." His connection to the wilderness (from whence "the voice cried out") was often emphasized by the rustic nature of his shrines. Many statues show him as a horned figure (as is also the case with Moses). Christian iconographers mumble embarrassed explanations about "horns of light," while modern Pagans giggle and happily refer to such statues as "Pan the Baptist." And to clench matters, many depictions of John actually show him with the lower torso of a satyr, cloven hooves and all! Obviously, this kind of John the Baptist is more properly a Jack in the Green! Also obvious is that behind the medieval conception of St. John lies a distant, shadowy Pagan deity, perhaps the archetypal Wild Man of the Wood, whose face stares down at us through the foliate masks that adorn so much church architecture. Thus medieval Pagans may have had fewer problems adapting than we might suppose.

In England, it was the ancient custom on St. John's Eve to light large bonfires after sundown, which served the double purpose of providing light to the revelers and warding off evil spirits. This was known as "setting the watch." People often jumped through the fires for good luck. In addition to these fires, the streets were lined with lanterns, and people carried cressets (pivoted lanterns atop poles) as they wandered from one bonfire to another. These wandering, garland-bedecked bands were called a "marching watch." Often they were attended by morris dancers, and traditional players dressed as a unicorn, a dragon, and six hobby-horse riders. Just as May Day was a time to renew the boundary on one's own property, so Midsummer's Eve was a time to ward the boundary of the city.

Customs surrounding St. John's Eve are many and varied. At the very least, most young folk plan to stay up throughout the whole of this shortest night. Certain courageous souls might spend the night keeping watch in the center of a circle of standing stones. To do so would certainly result in either death, madness, or (hopefully) the power of inspiration to become a great poet or bard. (This is, by the way, identical to certain incidents in the first branch of the "Mabinogion.") This was also the night when the serpents of the island would roll themselves into a hissing, writhing ball in order to engender the "glain," also called the "serpent's egg," "snake stone," or "Druid's egg." Anyone in possession of this hard glass bubble would wield incredible magical powers. Even Merlyn himself (accompanied by his black dog) went in search of it, according to one ancient Welsh story.

Snakes were not the only creatures active on Midsummer's Eve. According to British faery lore, this night was second only to Halloween for its importance to the wee folk, who especially enjoyed a ridling on such a fine summer's night. In order to see them, you had only to gather fern seed at the stroke of midnight and rub it onto your eyelids. But be sure to carry a little bit of rue in your pocket, or you might well be "pixie-led." Or, failing the rue, you might simply turn your jacket inside-out, which should keep you from harm's way. But if even this fails, you must seek out one of the "ley lines," the old straight tracks, and stay upon it to your destination. This will keep you safe from any malevolent power, as will crossing a stream of "living" (running) water.

Other customs included decking the house (especially over the front door) with birch, fennel, St. John's wort, orpin, and white lilies. Five plants were thought to have special magical properties on this night: rue, roses, St. John's wort, vervain and trefoil. Indeed, Midsummer's Eve in Spain is called the "Night of the Verbena (Vervain)." St. John's wort was especially honored by young maidens who picked it in the hopes of divining a future lover.

And the glow-worm came
With its silvery flame,
And sparkled and shone
Through the night of St. John,
And soon has the young maid her love-knot tied.

There are also many mythical associations with the summer solstice, not the least of which concerns the seasonal life of the God of the sun. Inasmuch as I believe that I have recently discovered certain associations and correspondences not hitherto realized, I have elected to treat this subject in some depth in another essay. Suffice it to say here, I disagree with the generally accepted idea that the Sun-God meets his death at the summer solstice. I believe there is good reason to see the Sun-God at his zenith--his peak of power--on this day, and that his death at the hands of his rival would not occur for another quarter of a year. Material drawn from the Welsh mythos seems to support this thesis. In Irish mythology, Midsummer is the occasion of the first battle between the Fir Bolgs and the Tuatha De Danaan.

Altogether, Midsummer is a favorite holiday for many Witches in that it is so hospitable to outdoor celebrations. The warm summer night seems to invite it. And if the celebrants are not in fact sky clad, then you may be fairly certain that the long ritual robes of winter have yielded place to short, tunic-style apparel. As with the longer gowns, tradition dictates that one should wear nothing underneath--the next best thing to skyclad, to be sure. (Incidentally, now you know the real answer to the old Scottish joke, "What is worn beneath the kilt?")

The two chief icons of the holiday are the spear (symbol of the Sun-God in his glory) and the summer cauldron (symbol of the Goddess in her bounty). The precise meaning of these two symbols, which I believe I have recently discovered, will be explored in the essay on the death of Llew. But it is interesting to note here that modern Witches often use these same symbols in the Midsummer rituals. And one occasionally hears the alternative consecration formula, "As the spear is to the male, so the cauldron is to the female..." With these mythic associations, it is no wonder that Midsummer is such a joyous and magical occasion!

Lastly, thank you to Irish Culture and Customs for this additional aspect -

Part I

At sunset on June 23rd, another of the ancient fire festivals begins. This midsummer festival was known as St. John's Eve, or Bonfire Night, and not that long ago, it was a wide-spread tradition throughout Ireland.

The following description is edited from a piece written in 1943 by an old schoolmaster who lived in West Limerick:
"...old people of thirty years ago and more remembered how the fire used to be lit exactly at sunset and had to be watched and tended until long after midnight. Prayers use to be said to obtain God's blessing on the crops, then at the peak-point of summer bloom.

Round the fire gathered young and old. There was much fun and music; a dance was started and games were played while some young men competed in casting weights or in feats of strength, speed or agility. I gathered that it was mostly women who shared in the prayers for the gardens and for good weather. Neglect in this respect might lead to a bad harvest or cause "the white trout not to come up the river" as they usually did with the mid-summer floods.

Unless the weather proved too cold, summer swimming in the river began on St. John's Day and the observance of the festival was supposed to eliminate all danger of drowning.
...in my early youth near Knockaderry, County Limerick, I remember a curious custom repeated each St. John's Eve. The young people used to gather from the marshy ground near the river Deel the large leaf and strong stem the hocusfian as it was called and each youth armed with one of these went around lightly striking each person that he or she met. This was supposed to protect those who were struck from illness and evil influences during the coming year. Afterwards, the hocus stems were thrown into the fire. Here, too, people threw into the fire specimens of the most troublesome weeds in the district - this was supposed to protect the fields from these weeds.

Old people told me that it was customary to jump over the fire from side to side. Some wise elder claimed to be able to tell, from the manner of jumping and the flickering of the fire, whether the jumpers were guilty or not of certain misdemeanors, such as theft or misbehavior with women.

Some people used to take the ashes from the fire then extinct on St. John's morning to scatter them on their fields. At the close of the festival too about after midnight any man who had built a new house or had nearly completed it took from the bonfire a shovel of red hot sods to his new home so that the very first fire there would be started by the ceremonial bonfire.

About the year 1905 a very old man told me that his grandfather had told him that in his young day - in the late 18th century - the young men used to walk through the fields with lighted torches and then cast these into the fire. This was supposed to bring a blessing on the fields and protect the crops from harm.

It was widely believed that a house built on a path frequented by the fairies and other such uncanny travellers would suffer from midnight noises or supernatural manifestations. Perhaps too, ill luck in the farm or personal illness might afflict the family. One remedy for these evils was to bring on St. John's Eve portion of the blessed fire and to build with them on the path in several places small fires which would be left burning until morning.

It was also customary that small objects of piety, such as rosary beads, little statues or scapulars, when they became broken or worn out were destroyed without disrespect by being burned in the Midsummer Fire."

While this very-much abbreviated description of St. John's Eve still captures this writer's imagination, it overlooks the fact that there used to be two very distinctive fire traditions. The first was the one the old school master mentions - the large communal bonfire assembled and lit by the residents of an entire townland or village - and sometimes the whole parish! But, the equally as important tradition that he doesn't mention is the one where small fires were lit by individual households. In contrast to the revelries of the community event, these were quiet occasions where the main concern was in observing the protective rituals. About the only merry-making one might have witnessed was younger children playing around the fire.

But, enough of the peace and quiet. Back to the fun and frolic of a community festival!

For several days beforehand, children and young people went from house to house asking for donations for the blessed fire. It was considered very unlucky to refuse. In fact, at some fires, the names of generous donors were called out and the crowd would cheer. But then, the names of the miserly were also announced and these were greeted with jeers and catcalls.

Imagine what it must have been like. Around the fire were assembled all the people of the locality - from the smallest children to the oldest men and women. As the sun set, the fire was lit. Usually, this honor was given to a knowledgeable elderly man who would say the traditional prayer for the occasion. One verse of this prayer is:
In the honor of God and St. John, to the fruitfulness and profit of our planting and our work, in the the name of the Father and of the Son and of the Holy Spirit. Amen.

In many places, the older people continued the preliminary proceedings with more prayers. Afterwards, the merry-making began. As the flames and sparks shot up, loud cheers would arise from the crowd, horns were blown and some people beat on tin cans. The musicians struck up and the young men asked their partners to dance. In-between sets, songs were sung, storys were told, and soloists - musician or dancer - demonstrated their talents. By now the fire would be well ablaze. People leapt through the flames for luck in a new venture, or marriage, when trying for a baby, for good health and for self-purification.

Farmers leapt high so their crops would grow tall. In many places, a young woman and man would join hands and jump together. Often, this was nothing more than a mere flirtation, but onlookers took it for granted that there was some intention of marriage between the pair. Some observers would even go as far as to predicting the outcome of such a union by the way the flames flickered as the couple jumped!

Part II

The large communal fires of St. John's Eve were carefully tended so they would burn brightly long into the night. One of the favorite games for the youngsters was to snatch a burning stick from the fire and throw it high into the air — very exciting for the kids, but incredibly dangerous for the spectators!

It was reported that John Millington Synge and his friend, Jack B. Yeats attended a St. John's Eve celebration on a visit to County Mayo in 1905. At first, they had been saddened by the depressed state of the area, but then Synge is quoted as saying: "...the impression one gets of the whole life is not a gloomy one. Last night was St. John's Eve, and bonfires - a relic of Druidical rites - were lighted all over the country, the largest of all being in the town square of Belmullet, where a crowd of small boys shrieked and cheered and threw up firebrands for hours together." Yeats remembered a little girl in the crowd, in an ecstasy of pleasure and dread, clutching Synge by the hand and standing close in his shadow until the fiery games were over.

Other customs included inviting the oldest woman in the area to go three times sunwise round the fire on her knees saying prayers, to ward off disease; in some localities, holy water was sprinkled on the fire and, as on other festivals, it was sprinkled on the house, its occupants, outbuildings, livestock and the crops. Generally, this was done by either the oldest person in the family, but in some parts of Ireland, the youngest child was asked to do it.

As might be expected, there was plenty of eating and drinking! Customarily, in Connaught, a special dish called "Goody" was made. This was white 'shop-bread' which had been soaked in hot milk and flavored with sugar and spices. It was usually made in a large pot that was either placed on the communal bonfire or heated on a smaller fire close by. Revelers brought their own spoons and bowls if they wanted to share in the "Goody."

In many parts of Ireland, it was the tradition for children to go around the village asking for "a penny for the bonfire." They used the money they collected to buy candy and cakes to eat that evening at the fire. Popular with the old folk was a few bottles of poitín (potcheen) or whiskey; the young men, on the other hand, would pool their resources and buy a barrel of beer or porter which was shared all around.

When the communal bonfires were dying down, cows were often driven through them. Just so you don't think the Irish were being cruel to their livestock, the communal fire was often a pair of fires between which the cattle were driven to protect them against disease for a year.
Likewise, it was believed that the fire would protect all the crops grown on the farm, and that it could increase the yield, ensure a good harvest, and keep away blight, rust and other plant diseases. To make certain the fields were adequately protected, the fire had to be applied to the fields.

There were two ways this was done; many people took embers from the big fire and threw them into each field; if the growth of a crop was high enough to hide the glowing ember, this was thought to be a very good omen. The other way was for people to bring a long stemmed bush to the communal fire, light it, throw it into a crop or carry it through the fields. Many times, each member of a family would make individual torches which was lit from the fire and then carried high aloft as the family processed around every corner of their property. It must have been quite a sight to see from a distance, as neighboring families performed the same ritual!

Before moving on to the other customs surrounding the festival of St. John, there was one last ritual to perform and that was the bringing home of an ember from the communal fire and placing it on the family hearth. Some families also kept ashes from the fire for luck, others because they believed the ashes would ensure a peaceful death to old people who were ailing. The ashes also had curative powers: mixed with water, they were drunk to relieve internal disorders and they were used to cleanse and bathe wounds, sores and swellings.

After the merriment of St. John's Eve and with the fire burned out, families retired to their homes to rest up for the festivities of June 24th, the Saint's birthday!
In the city of Limerick, they would have eagerly anticipated a colorful parade of tradesmen. Adorned with sashes, ribbons and flowers, and accompanied by musicians, they marched in groups through the principal streets. A similar procession took place in Galway City, except that the marchers were the fishermen of Claddagh village. They were all uniformly clad in an outfit that included a short white jacket, silk sash and a hat decorated with flowers. Each of them carried a long pole or staff on which was an emblem of their trade and two of them - usually the stoutest pair in the group - wore masks as well as hundreds of ribbons all over their outfits. These were the 'merrymen" or clowns of the day who performed tricks and antics along the route. At the head of the procession was a group of musicians who led the marchers through the streets and then wound their way around the city until they arrived back at the staring point.

In just about every fishing district, St. John's Day was important. In many places it was the day the boats and nets were blessed and there was many an angler living inland who eagerly anticipated the arrival of sea trout which entered the rivers at this time of year.

The Large crowds bent on fun and frolic would be attracted to these events which included the erecting of a decorated pole. This pole was once described as being "as lofty as the mast of a sloop" and on its top , a small basket of cakes or gingerbread and a bunch of garters were tied. The best musician attending the assembly was always selected to perform at the foot of the pole and the best dancers competed with one another for the honor of winning the prizes - a girl got the gingerbread and a fellow got the garters.

Indeed, midsummer in Ireland was merry for most; however, there was sadness in west Ulster and west Connaught for this was the time of year when the menfolk went as migratory harvest workers to England and Scotland. Often, they would be gone until late fall or even early winter, which meant that the turf had to be saved and the potatoes earthed up before the migrants left. Overall though, it was a time of optimism, with farmers hoping they'd get a period of wet weather before St. John's Day and dry weather afterwards. Those who were ill hoped for improvement and it was generally believed that even the very sick, if they survived over midsummer, would live on at least until fall. As for the children, they hoped the cuckoo would eventually return, for it was about this time that the cuckoo ceased its call and the children were told it had flown away to Spain!



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