Eric Mayer
Byzantine Blog

Probably the only vaguely interesting thing about me is that with my wife, Mary Reed, I co-author the John the Eunuch mystery series set in sixth century Constantinople. But that doesn't stop me from dwelling here on the boring minutiae of the rest of my life, present and past, along with the occasional word about writing.
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Poisoned Pen Press

There is no pleasure to me without communication: there is not so much as a sprightly thought comes into my mind that it does not grieve me to have produced alone, and that I have no one to tell it to.
--Michel de Montaigne

Getting Into Their Skins

When writers start to talk about "getting into their characters' skins" I don't reach for my gun, but I get annoyed. The phrase just gets under my skin. Or, I guess I should say, gets up my nose. I'm sure a good author at one time or another has used the phrase, so please don't take offense, but in my experience it's always some guy with a bad case of swollen pretenses.

I'm not so sure I shouldn't reach for my gun. To me the phrase "getting into my characters' skins" conjures up a creepy, psychopathic serial killer.

I stood outside the garage while the medical examiner showed me his guts. I'd never seen the medical examiner heave up his guts before. Maybe over a few bottles of tequila, but never over a corpse. When he finally looked at me, even under the blood you could see his face was white as a geisha girl's. "I've never seen anything like it." His voice sounded like a dying breath. "He's been in their skins. The crazy s.o.b's been in his victims' skins."

Not that the wearers-of-others-skins write dreadful thrillers. Mostly it seems to be dreadful poetry or literary fiction. Usually when I read their stuff I feel like telling them, yes, your writing is just like being in somebody's skin. Bloody awful!



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